Kirkus said this about FUTURE IMPERFECT by K. Ryer Breese:
A slick, fast-paced thriller with a comic-book aesthetic. D-student Ade Patience begins to see the future when he gets a head injury. Chasing “the Buzz”—his name for the high the visions give him—Ade insults tough guys, stages car accidents and jumps off buildings, leaving his companions (usually female) to clean him up, tend to his wounds and take him safely home. The story opens on a day Ade has foreseen and anticipated: The day She, the future love of his life, appears in the school cafeteria and sings to him. She is Vauxhall: bold, perfect and, as per the visions, destined for Ade. But fast-talking liar Jimi Ministry wants Vauxhall for himself. To his great distress, Ade keeps seeing visions of himself killing Jimi, and his visions always come true. The pace is cinematic, with short chapters, short sentences, snappy banter and Ade's cool, careening narration.
And Publishers Weekly said this about THE SUMMER OF MAY by Cecilia Galante:
Galante's (Willowood) bittersweet story of a troubled 13-year-old stars spunky Maeve (May) O'Toole, who holds a lot of grudges. May's most recent target is her English teacher, "Movado the Avocado," who she blames for having to repeat English in summer school. Spending her mornings prepping and painting the classroom wall she defaced during the school year and doing writing assignments for her teacher, May has a lot of time to think. She broods about all the things that make her mad and about all the people who have abandoned her: her old group of friends; her father, who now works double shifts and is hardly ever home; and her grandmother, who spends her days in bed. But mostly May thinks about the mother she will never see again. The summer takes some unexpected turns as May discovers previously unseen sides of Miss Movado and learns that they have something profound in common. Brimming with emotion and insight into adolescent rage, Galante's prose investigates the impact of loss and the importance of making amends.